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Dark Matter: Bamileke

The paintings in this series are inspired by art from Benin, Samburu, Maasai, Bamileke, and other African cultures. I am exploring symbolism, icons, affects and effects that resonate within. By doing so, I seek a bond with those cultures as I try to demystify my past.

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$150.00

Dark Matter: Banna

The paintings in this series are inspired by art from Benin, Samburu, Maasai, Bamileke, and other African cultures. I am exploring symbolism, icons, affects and effects that resonate within. By doing so, I seek a bond with those cultures as I try to demystify my past.

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$150.00

Dark Matter: Karo of the Omo River

The paintings in this series are inspired by art from Benin, Samburu, Maasai, Bamileke, and other African cultures. I am exploring symbolism, icons, affects and effects that resonate within. By doing so, I seek a bond with those cultures as I try to demystify my past.

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$150.00

Dark Matter: Maasai

The paintings in this series are inspired by art from Benin, Samburu, Maasai, and Bamileke, and other African cultures. I am exploring symbolism, icons, affects and effects that resonate within. By doing so, I seek a bond with those cultures as I try to demystify my past.

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$150.00

Dark Matter: Ndebele

The paintings in this series are inspired by art from Benin, Samburu, Maasai, Bamileke, and other African cultures. I am exploring symbolism, icons, affects and effects that resonate within. By doing so, I seek a bond with those cultures as I try to demystify my past.

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$150.00

Dark Matter: Samburu

The paintings in this series are inspired by art from Benin, Samburu, Maasai, Bamileke, and other African cultures. I am exploring symbolism, icons, affects and effects that resonate within. By doing so, I seek a bond with those cultures as I try to demystify my past.

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$150.00

Grandmother: Unilisi Guardian #1 (Giclee Only)

The Unilisi mixed media painting series is inspired by Kongo minkisi, Christian symbols, and Cherokee traditions and words. Minkisi (sing. nkisi), are containers for medicines and a power spirit that is activated by nailing. In these Minkisi paintings, the power figure is Unilisi, which means the Grandmother of many in Cherokee. The paintings are wrapped, tied, and nailed in a technique reflective of that used for composing an nkisi. The paintings contain African symbols like the Ashanti Adinkra symbol, Sankofa, which expresses the proverb that one must return to the past to build the future. The shawl the Grandmother wears has Cherokee syllabary woven in the fabric. It is the Twenty-third Psalm and represents the melding of Christian and Native beliefs. Hidden within and attached without are medicine bundles, powerful objects used by both Native and African healers.

$180.00

Grandmother: Unilisi Guardian #2 (Giclee Only)

The Unilisi mixed media painting series is inspired by Kongo minkisi, Christian symbols, and Cherokee traditions and words. Minkisi (sing. nkisi), are containers for medicines and a power spirit that is activated by nailing. In these Minkisi paintings, the power figure is Unilisi, which means the Grandmother of many in Cherokee. The paintings are wrapped, tied, and nailed in a technique reflective of that used for composing an nkisi. The paintings contain African symbols like the Ashanti Adinkra symbol, Sankofa, which expresses the proverb that one must return to the past to build the future. The shawl the Grandmother wears has Cherokee syllabary woven in the fabric. It is the Twenty-third Psalm and represents the melding of Christian and Native beliefs. Hidden within and attached without are medicine bundles, powerful objects used by both Native and African healers.

$180.00

Grandmother: Unilisi Sankofa #1

The Unilisi mixed media painting series is inspired by Kongo minkisi, Christian symbols, and Cherokee traditions and words. In these paintings, the power figure is Unilisi, which means the Grandmother of many in Cherokee. The paintings contain African symbols like the Ashanti Adinkra symbol, Sankofa, which expresses the proverb that one must return to the past to build the future.

$180.00

Grandmother: Unilisi Sankofa #2

The Unilisi mixed media painting series is inspired by Kongo minkisi, Christian symbols, and Cherokee traditions and words. In these paintings, the power figure is Unilisi, which means the Grandmother of many in Cherokee. The paintings contain African symbols like the Ashanti Adinkra symbol, Sankofa, which expresses the proverb that one must return to the past to build the future.

$180.00

Kickapoo Medicine Show: Brave

Two Connecticut residents, John E Healy and Charles Bigelow, formed the "Kickapoo Company" which was housed in New Haven, Connecticut. The building was called "The Principal Wigwam Company. Healy and Bigelow made large profits and exploited the Kickapoo Indian name. The Kickapoo Nation was not involved and received no compensation. This mixed media collage series alters facsimiles of photos from the 1800s of Kickapoos and the advertisements for "Kickapoo" medicines.

$75.00

Kickapoo Medicine Show: Civilized

Two Connecticut residents, John E Healy and Charles Bigelow, formed the "Kickapoo Company" which was housed in New Haven, Connecticut. The building was called "The Principal Wigwam Company. Healy and Bigelow made large profits and exploited the Kickapoo Indian name. The Kickapoo Nation was not involved and received no compensation. This mixed media collage series alters facsimiles of photos from the 1800s of Kickapoos and the advertisements for "Kickapoo" medicines.

$75.00

Kickapoo Medicine Show: Proprietors

Two Connecticut residents, John E Healy and Charles Bigelow, formed the "Kickapoo Company" which was housed in New Haven, Connecticut. The building was called "The Principal Wigwam Company. Healy and Bigelow made large profits and exploited the Kickapoo Indian name. The Kickapoo Nation was not involved and received no compensation. This mixed media collage series alters facsimiles of photos from the 1800s of Kickapoos and the advertisements for "Kickapoo" medicines.

$75.00

Kickapoo Medicine Show: Sold Around the World

Two Connecticut residents, John E Healy and Charles Bigelow, formed the "Kickapoo Company" which was housed in New Haven, Connecticut. The building was called "The Principal Wigwam Company. Healy and Bigelow made large profits and exploited the Kickapoo Indian name. The Kickapoo Nation was not involved and received no compensation. This mixed media collage series alters facsimiles of photos from the 1800s of Kickapoos and the advertisements for "Kickapoo" medicines.

$75.00

Kickapoo Medicins Show: Principal Wigwam

Two Connecticut residents, John E Healy and Charles Bigelow, formed the "Kickapoo Company" which was housed in New Haven, Connecticut. The building was called "The Principal Wigwam Company. Healy and Bigelow made large profits and exploited the Kickapoo Indian name. The Kickapoo Nation was not involved and received no compensation. This mixed media collage series alters facsimiles of photos from the 1800s of Kickapoos and the advertisements for "Kickapoo" medicines.

$75.00

Masque #4

This painting series explores the choreographed rhythms and patterns that both conceals and reveals our connections to our past. Masks, ceremony, and symbols blur the lines between the before and the after, the face and the place. It is a celebration and a festival performance that affirms spiritual bonds to our ancestry and the power of being centered.

$180.00

Masque #5

This painting series explores the choreographed rhythms and patterns that both conceals and reveals our connections to our past. Masks, ceremony, and symbols blur the lines between the before and the after, the face and the place. It is a celebration and a festival performance that affirms spiritual bonds to our ancestry and the power of being centered.

$180.00

Masque #6

This painting series explores the choreographed rhythms and patterns that both conceals and reveals our connections to our past. Masks, ceremony, and symbols blur the lines between the before and the after, the face and the place. It is a celebration and a festival performance that affirms spiritual bonds to our ancestry and the power of being centered.

$180.00

Myths: Dayunisi Pushes Mud

Using myths and legends from Africa (Yoruba), Native America (Cherokee), and Judeo-Christian traditions, I am extrapolating, interpolating, combining, paralleling (where appropriate), and refashioning these myths to compose neo-narratives that reflect my diverse cultural background--African, Native American, and Christian. To this end, I am writing neo-story myths and creating a series of studies and paintings reflective of the ideas, symbols, and content of this new meta-cultural version.

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$150.00

Myths: Making Humans

Using myths and legends from Africa (Yoruba), Native America (Cherokee), and Judeo-Christian traditions, I am extrapolating, interpolating, combining, paralleling (where appropriate), and refashioning these myths to compose neo-narratives that reflect my diverse cultural background--African, Native American, and Christian. To this end, I am writing neo-story myths and creating a series of studies and paintings reflective of the ideas, symbols, and content of this new meta-cultural version.

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$150.00

Myths: Obatala Prepares for his Journey

Using myths and legends from Africa (Yoruba), Native America (Cherokee), and Judeo-Christian traditions, I am extrapolating, interpolating, combining, paralleling (where appropriate), and refashioning these myths to compose neo-narratives that reflect my diverse cultural background--African, Native American, and Christian. To this end, I am writing neo-story myths and creating a series of studies and paintings reflective of the ideas, symbols, and content of this new meta-cultural version.

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$150.00

Myths: Orunmila Knows the Future

Using myths and legends from Africa (Yoruba), Native America (Cherokee), and Judeo-Christian traditions, I am extrapolating, interpolating, combining, paralleling (where appropriate), and refashioning these myths to compose neo-narratives that reflect my diverse cultural background--African, Native American, and Christian. To this end, I am writing neo-story myths and creating a series of studies and paintings reflective of the ideas, symbols, and content of this new meta-cultural version.

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$150.00

reCalling the Spirits: Attendants with Paddle

reCALLING the Spirits, explores symbolism, icons, and affects/effects that resonate from the artist's Africa and Native American cultural past. By doing so, I answer the call and (re)call that the past is present and yesterday was once tomorrow.

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$150.00

reCalling the Spirits: Mudfish and Leopards

reCALLING the Spirits, explores symbolism, icons, and affects/effects that resonate from the artist's Africa and Native American cultural past. By doing so, I answer the call and (re)call that the past is present and yesterday was once tomorrow.

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$150.00

reCalling the Spirits: Seat of Power

reCALLING the Spirits, explores symbolism, icons, and affects/effects that resonate from the artist's Africa and Native American cultural past. By doing so, I answer the call and (re)call that the past is present and yesterday was once tomorrow.

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$150.00

reCalling the Spirits: The Attendants

reCALLING the Spirits, explores symbolism, icons, and affects/effects that resonate from the artist's Africa and Native American cultural past. By doing so, I answer the call and (re)call that the past is present and yesterday was once tomorrow.

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$150.00

reCalling the Spirits: Three Clappers

reCALLING the Spirits, explores symbolism, icons, and affects/effects that resonate from the artist's Africa and Native American cultural past. By doing so, I answer the call and (re)call that the past is present and yesterday was once tomorrow.

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$150.00

Runaway: Bilhah (1764)

Advertisement
Ranaway from me the Subscriber, the 14th Instant, a Molatto Woman named BILHAH, aged 30 Years, a tall thick built, well-proportioned Wench had on a brown short camblet Cloak, a light colour-d stuff Gown, barr-d with Yellow, a blue camblet Quilt, and check-d linen Apron, black silk Bonnet, a large pair flower-d silver shoe-buckles, may possibly pretend to be a Free Woman, or may Change her Apparel for Men-s Cloathing. All Masters of Vessels are cautioned from carrying off said Molatto- Any Person who shall secure said Molatto Wench in any of His Majesty-s Goals shall have FOUR DOLLARS Reward and necessary Charges paid by JARED ELIOT. KILLINGWORTH, Mar. 21, 1764

Media: Acrylic, Wax, Washi, and Mixed Media
Size: 18"x24"

Giclee Print Size: 16" x 20"
Limited Edition: 100
NOTE: Giclee prints are made with archival materials and are hand-signed by the artist. Each print comes with a Certificate of Authenticity.

$200.00

Runaway: Hannah (1784)

Advertisement
Run away from the subscriber, a Negro or Mulatto Girl, named Hannah, but assumes the name of Hannah Wadson, had on a calico bonnet, and other thin cloths, middling size, with long black hair, was the property of Thomas Philips of Salisbury; from whom she pretends an emancipation in writing, but `tis an illegal one. It is supposed she intends to reside in Farmington, or to press on to Rhode-Island where said Philips brought her. Whoever will secure said Girl, so that the subscriber can get her, shall be entitled to Three Dollars reward and reasonable charges, paid on notice where she is secured. Adonijah Strong Salisbury, August 12, 1784

Title: Runaway: Hannah(1784)
Artist: Cora Marshall
Size: 18" x 24"
Media: Acrylic
Giclee Edition: 100

NOTE: Giclee prints are made with archival materials and are hand-signed by the artist. Each print comes with a Certificate of Authenticity.

$250.00

Runaway: Jack 1730 (Abraham Lincoln's Family)

ADVERTISEMENT
RUN away on the 13th of September last from Abraham Lincoln of Springfield in the County of Chester, a Negro Man named Jack, about 30 Years of Age, low Stature, speaks little or no English, has a Scar by the Corner of one Eye, in the Form of a V, his Teeth notched, and the Top of one of his Fore Teeth broke; He had on when he went away an old Hat, a grey Jacket partly like a Sailor's Jacket. Whoever secures the said Negro and brings him to his Master, or to Mordecai Lincoln shall have Twenty Shillings Reward and reasonable Charges" Oct. 15, 1730

Mordecai Lincoln (1686-1736) was great-great-grandfather of President Lincoln.

$250.00

Runaway: Jenny and Child 1796

RAN AWAY from the Subscriber on the 17th Instant, at Night, a Negro WOMAN, named Jenny, about 25 Years of Age, large and of a lightish color, and has a flat large nose. She took with her a male Negro Child, about 17-Months old. She stole and carried a red Moreen Skirt, a light Callicoe new Gown, a striped Tow and Linen Gown, a black Furr Hat 3 sheets, 2 good Blankets, almost new, and 1 Holland Shirt. Whoever will apprehend said Negro Wench, with the Property, and secure her and give Information to the Subscriber, shall receive Ten Dollars Reward. THOMAS B. HAZARD
South, Kingstown, 08, 21, 1796


Title: Runaway: Mary 1793
Artist: Cora Marshall
Size: 16" x 20"
Media: Giclee
Edition: 100

$200.00

Runaway: Jesse 1803

Advertisement
Stop a Thief and Runaway.
Ranaway from the subscriber, on the 2d ult. A negro boy named JESSE, 17 years old, 5 feet 5 or 6 inches high, well made, is of a lively air and speaks good English; was born in North Carolina. Stole from me a grey coat and waistcoat, and nankeen overalls - from Providence, a two mast cedar boat. Who every will return said boy to me, or secure him so that I get him again, shall receive Thirty Dollars and all necessary expenses. All persons are cautioned against harboring said boy.
BENJ. SHORES, jun.
N.B. He has broke goal [jail] in the county of Washington, (R.I.) on the 18th ult. where he was confined.

$200.00

Runaway: John (1796)

Advertisement
Runaway from the subscriber the 4th inst. A Mulatto Boy named John 16 years old, short of his age and stocky - took with him 5 shirts, one ruffled on the bosom, one white silk and two bandanna handkerchiefs, two white and two striped linen do. one cravat three pair stockings, 3 jackets one of which is scarlet broadcloth two pair tow cloth overhalls two do. nankeen one do. dark broadcloth one green broadcloth short coat, one elastic great coat one pair new shoes one new round hat a pair boots a short lead colour'd jacket and a pair dark homemade overhalls. Whoever will take up said boy and return him, with the cloathing, or give information where he is kept, shall have a generous reward, or one farthing reward for said boy without the cloathing. Raphel Fontienne. Hartford, March 9 1796

$250.00

Runaway: Julian Francois 1802

ADVERTISEMENT
RAN-AWAY From the subscriber on the 24th inst. A negro man, named Julian Francois, between 19 and 20 years of age, speaks French and some broken English, has a very cross down look with him, thick lips and very black skin; has a fresh mark over his eye, and has two sores upon one of his legs; he carried away with him 2 short blue jackets, one lined with white and the other with green flannel, a new brown Great Coat and some other articles-Whoever will secure the said runaway in New London goal, or deliver him to the subscriber shall receive 20 dollars reward, and no charges paid-The undersigned expects to sail in the course of next week for Trinidad, if the said Negro is not arrested before the departure of the subscriber, he will engage to pay any Captain who will deliver him in the latter place the sum of 100 dollars, or if delivered to Messrs. George Crudan and Co. in Martinico, the sum of 80 dollars.EMARI NOEL. Norwich, April 27, 1802

$200.00

Runaway: Mary 1793

Advertisement
Ran away from the subscriber, on the Night of the 28th Instant, a large, likely Negro Wench, named MARY, about 22 Years of age, speaks good English dresses her hair high; carried away with her One light Chintz Gown, One white Linen Ditto, One blue and white striped Linen Ditto, One purple Moreene Skirt, one white Diaper Ditto, Three Flannel Petticoats; One black silk Hat, one black figured Worsted Cloak, one light Chintz short Gown, one white Linen Ditto, One red and white Woollen Ditto, Shoes, Stockings, and a large supply of other wearing Apparel-Whoever will take up said Negro, and return her to the Subscriber, in Westerly State of Rhode Island shall have FIVE DOLLARS Reward, paid by JOSEPH NOYES.

NB: All Persons are forbid trusting, employing, or harbouring said Negro on Penalty of the Law. Westerley September 30. 1793

$200.00

Runaway: Nelly 1809

Advertisement
10 DOLLARS REWARD
RANAWAY from the subscriber on the 15th instant, a Negro Girl named Nelly, 16 years of age, stout built, rather short, yellow complexion, long Indian hair, curled before, bold, but rather down looking. Had on a white gown, light shawl, straw bonnet, and black shoes; also took with her a green umbrella with a fringe. Who ever will take up said girl, and return her to her mistress living near Stoney Brook, two and a half miles this side of Princeton, shall receive the above reward.
AMEY CHESTION October 24, 1809

$250.00

Runaway: Sall and Son 1792

Advertisement
RUN AWAY form the subscriber on the 17th of last Month his Negroe woman, Sall. She is about thirty-six years of age, to strangers of an insinuating behaviour, took with her a large bundle of wearing cloaths, and her infant male child, of about eight months of age. She was very lately in service in a public house in the City of Hartford, and perhaps may falsely assert that she has from her master obtained her freedom. All persons are cautioned against employing, secreting, or carrying away said Negroe woman, is in so doing, they may expect to answer the penalty of law. David Tod Suffield, July 20, 1792

$200.00

Runaway: Silva 1784

Advertisement
Run away from the subscriber the 17th instant, a Negro Wench named Silva, about 24 years of age, smallish size, thick and well made, had on and took with her a brown skirt and striped short gown. Whoever will take up and secure said wench and give information to the subscriber, shall have Five dollars reward and charges paid by,
Elijah Hensdale
Farmington, June 19, 1784

NB Said Wench before she runaway threw a stone and fractured the skull of her master and otherwise much wounded him.

$200.00

Runaway: Simsbury 1774

Advertisement
TEN DOLLARS REWARD. Run away from the subscriber living in Simsbury, in Hartford county, on the day before the election at Hartford, a negro man about 27 years of age, about 5 feet and 8 inches high, and lisps some in his speech; had on when he went away a brown coat and red waist coat, a white Holland shirt, a new caster hat, a new pair of leather breeches, a pair of blue stockings, carried away with him a blue vest, two pair of stockings the one pale blue the other deep blue, two pair of shoes. Whoever shall take up said negro and return him to me shall have ten dollars reward and necessary charges paid, or secure him in any of his majesty's goals and send me word so that I may have him again shall have five dollars reward and necessary charges paid, by
TIMOTHY MOSES

N.B. His fore teeth are gone--he carried a fiddle with him. All persons are hereby forbid to harbour said negro on penalty of the law. May 17 1774

$200.00

Runaway: Will 1771 (George Washington's Estate)

Advertisement
YORK County, July 3, 1771. RAN away, about the middle of June last, from Mr. John Park Custis's plantation, near the Capitol landing, a likely young Virginia born Negro fellow named WILL, about 6 feet high, very full faced, and full eyed. The Said Negro broke York goal some time ago, and was taken again, but in bringing him home to the Said plantation he made his escape from the overseer. AS he passed at York Some time for a free man, I have reason to believe that he will try to get on board Some vessel. Whoever will bring the Said Negro to me, near Williamsburg, Shall receive TWENTY SHILLINGS reward, besides what the law allows. He is out-lawed.
JOSEPH VALENTINE.

Note: Valentine was overseer of Custis estates when George Washington married Martha Custis in 1759.

$250.00

To Be Sold: Boy 15 (1783)

The 'To Be Sold' series is based on advertisements from the 1700s and early 1800s. While the Runaway ads describe enslaved people of African descent in sometimes minute details, the To Be Sold advertisements were brief ads tucked in between larger ads. No names. No visual description. Just: "To be sold". As I came across more and more, I became curious. Who are they? Where did they go? Were they being separated from their families? Will they run away? The gold in the works and frame references the use of people as chattel.

Advertisement
TO BE SOLD, for want of Money, A likely healthy, active Negro BOY, about fifteen years of age, who understands the business both of the farm and 15 Kitchen. Enquire of the Printers. August 12, 1783

$125.00

To be Sold: Boy 18 (1775)

The 'To Be Sold' series is based on advertisements from the 1700s and early 1800s. While the Runaway ads describe enslaved people of African descent in sometimes minute details, the To Be Sold advertisements were brief ads tucked in between larger ads. No names. No visual description. Just: "To be sold". As I came across more and more, I became curious. Who are they? Where did they go? Were they being separated from their families? Will they run away? The gold in the works and frame references the use of people as chattel.

Advertisement
A Stout Negro Fellow, to be Sold, about 18 or 19 Years of Age. Enquire of The Printer. January 23, 1775

$125.00

To be Sold: Girl 12 (1769)

The 'To Be Sold' series is based on advertisements from the 1700s and early 1800s. While the Runaway ads describe enslaved people of African descent in sometimes minute details, the To Be Sold advertisements were brief ads tucked in between larger ads. No names. No visual description. Just: "To be sold". As I came across more and more, I became curious. Who are they? Where did they go? Were they being separated from their families? Will they run away? The gold in the works and frame references the use of people as chattel.

Advertisement
A Likely Negro garl about 12 Years old Country Born, To be sold, Enquire of The Printers. Oct. 2, 1769.

$125.00

To be Sold: Girl 15 (1773)

The 'To Be Sold' series is based on advertisements from the 1700s and early 1800s. While the Runaway ads describe enslaved people of African descent in sometimes minute details, the To Be Sold advertisements were brief ads tucked in between larger ads. No names. No visual description. Just: "To be sold". As I came across more and more, I became curious. Who are they? Where did they go? Were they being separated from their families? Will they run away? The gold in the works and frame references the use of people as chattel.

Advertisement
About 15 or 16 years of age, to be sold for no fault but because she is like to be a good breeder for further particulars enquire of the Printer.
Feb 16, 1773

$125.00

To be Sold: Girl 20 (1773)

The 'To Be Sold' series is based on advertisements from the 1700s and early 1800s. While the Runaway ads describe enslaved people of African descent in sometimes minute details, the To Be Sold advertisements were brief ads tucked in between larger ads. No names. No visual description. Just: "To be sold". As I came across more and more, I became curious. Who are they? Where did they go? Were they being separated from their families? Will they run away? The gold in the works and frame references the use of people as chattel.

Advertisement
To be Sold, a likely Negro Wench, about 20 years of age, Country born. Enquire of the Printer. December 14, 1773

$125.00

To be Sold: Man 20 (1781)

The 'To Be Sold' series is based on advertisements from the 1700s and early 1800s. While the Runaway ads describe enslaved people of African descent in sometimes minute details, the To Be Sold advertisements were brief ads tucked in between larger ads. No names. No visual description. Just: "To be sold". As I came across more and more, I became curious. Who are they? Where did they go? Were they being separated from their families? Will they run away? The gold in the works and frame references the use of people as chattel.

Advertisement
FOR WANT OF EMPLOY, Will be sold a likely NEGRO BOY, about 20 years of age, suitable to attend a Gentleman, or a family. Enquire of the printers. December 11, 1781

$125.00

Within the Spirit: Beneath the Mask

Giclee print only

$180.00

Within the Spirit: By Way of the Holy

Giclee print only.

$180.00

Within the Spirit: Spirit Guide #1

Giclee print only.

$180.00

Within the Spirit: Spirit Guide #2

Giclee print only.

$150.00

Within the Spirit: The Shapeshifter's Call

Giclee print only.

$180.00

Within the Spirit: When Root Women Speak

Giclee print only

$180.00

Original Art work and Giclee prints are available for purchase. Most major credit cards are accepted. For questions or addition information, contact the artist: cora@coramarshall.com or click "Contact Me" button.

All Giclee (jhee-clay) prints featured on this web site are from original artworks and are hand-signed and numbered by the artist. The editions are limited to no more than 100 prints. Each print comes with a Certificate of Authenticity to protect the exclusivity of your Giclee print. NOTE: Because each giclee print is made especially for you, delivery takes between 10 - 14 business days.

TO VIEW GICLEE PRICES,  CLICK THE DROP-DOWN ARROW NEXT TO THE PRICE FOR ORIGINAL WORK.

The Cora Marshall Gallery Return Policy

You may return items purchased at the Cora Marshall Online Gallery Store within 10 days from the date the order is received by you. Please contact the artist for further information.